29. 11. | četrtek thursday
Če si ne moremo privoščiti originale, plešimo ponaredke.
If We Cannot Afford Originals, Let's Dance Counterfeits.
If We Cannot Afford Originals, Let's Dance Counterfeits.
Izhodišče so predstave sodobnega plesa, ki jih Slovenija ni nikoli videla in jih najbrž tudi ne bo, če ne zaradi ekonomskih določevalcev programiranja hiš z mednarodnim scenskim programom in festivalov scenskih umetnosti, pa zaradi gole in stvarne biološke minljivosti ustvarjalcev. Podobno kot srečujemo ponaredke na črnem trgu izdelkov, bodo tudi na trg sodobnega plesa lansirani ponaredki del nekaterih ključnih koreografov druge polovice 20. stoletja. Projekt na neposreden način reflektira tudi eno prevladujočih interpretacij nacionalne kulture – teorijo zamudništva.
Janez Janša ustvarja avtorska scenska dela, npr. Camillo Memo 1.0; Miss Mobile; Mi vsi smo Marlene Dietrich FOR; Pupilija, papa Pupilo pa Pupilcki – rekonstrukcija; Slovensko narodno gledališče, pa tudi interdisciplinarna, npr. First World Camp; Triglav na Triglavu. Je avtor monografije Ponavljanje, norost, disciplina – celostna umetnina Fabre. Redno izvaja delavnice in predava na evropskih in ameriških univerzah ter v umetniških središčih.
The starting point of this production are contemporary dance productions that Slovenia never saw and probably never will see - if not because of the economic facts defining the programming in houses with international stage programme and at festivals of performing arts, then because of the bare, factual biological transience of creators. As we can find counterfeits of products at the black market, similarly we intend to launch counterfeits of works of several key choreographers from the second half of the 20th century to the contemporary dance market. The project also directly reflects on one of the prevailing interpretations of the Slovene national culture, i.e. the theory of lagging behind.
Janez Janša has been creating theatre productions (We Are All Marlene Dietrich FOR; Pupilija, Papa Pupilo and the Pupilceks - A Reconstruction; Slovene National Theatre), as well as multimedia works (First World Camp; Triglav on Triglav). He wrote a monograph JAN FABRE – The Discipline of Chaos, The Chaos of Discipline. He gives workshops and lectures at universities and art centres abroad.
režija directed by: JANEZ JANŠA ustvarjalci izvajalci creators-performers: LEJA JURIŠIĆ, JURIJ KONJAR, MANCA KRNEL, TEJA REBA, DEJAN SRHOJ asistent režije direction assistant: SAMO GOSARIČ svetlobno oblikovanje lighting design: MIRAN SUSTERŠIČ tehnični vodja technical director: BORUT CAJNKO izvršna producentka executive producer: KATJA STUŠEK proukcija production: ZAVOD EXODOS koprodukcija co-production: MASKA Zahvala: vsem, ki ste odgovorili na vprašalnik o ključnih avtorjih in predstavah sodobnega plesa, Studiu Oktober in Viba filmu. Thanks to all who have answered the questionnaire about the key contemporary dance artists and productions, to Studio Oktober and Viba Film splet web www.maska.si.